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Favorite Books of 2018
These lists highlight some of my favorites in two categories: books I read in 2018 that were 1) released this year and 2) not released this year. Perhaps some of these will make it onto your bookshelf in 2019. I recommend them all!
Five Likely Losses from Taking Up Your Cross
There are many “deaths” involved in following Christ, however obscured they may be in today’s cushy forms of Christianity. The following are five likely losses that come with truly embracing the cross of Christ.
21 Challenges Facing the 21st Century Church
The following 21 challenges are in no particular order and are by no means exhaustive, and they are largely (but not exclusively) reflective of an American evangelical context. I also should note that each of them represents not only a challenge but also an opportunity. The church has historically thrived when she is tested rather than comfortable.
Terrence Malick's IMAX Evensong
If you're lucky enough to live in one of the few places where Terrence Malick's Voyage of Time: The IMAX Experience is playing, do yourself a favor and go see it. Take your kids, your church small group, your fellow lovers of cinema and nature and awe-inspiring beauty. The 45-minute film (a 90-minute, non-IMAX version is set to release in 2017) is a perfect example of the sort of liturgical cinema Malick has mastered
Loving the Secular for its Secularity
"The world exists, not for what it means but for what it is. The purpose of mushrooms is to be mushrooms; wine is in order to be wine: Things are precious before they are contributory."
Batman, Dickens, and Resurrection
The impulse toward resurrection is grand motif of human existence: it's the arc of all creation and everyone within it, groaning and aching for the dawn of better days, when all is put to rights and evil is subdued. The hope of resurrection is the thing Sydney Carton takes refuge in before his own death in A Tale of Two Cities, as he rests in the truth of John 11:25-26:"I am the resurrection and the life. He who believes in me will live, even though he dies; and whoever lives and believes in me will never die."
Prometheus
In Prometheus, Scott's vision of the relationship between Creator and created is one of spite and hostility. In the Christian narrative, God is a benevolent creator who takes on the form of his creation so he can rescue and redeem those he created in his image. In Prometheus, the "gods" also seem to have created man in their image, and yet they despise humanity and want to destroy it. Incarnation for the purposes of redemption is re-imagined as infection for the purposes of eradication.
The Divine Guide in Terrence Malick’s "Tree of Life"
Among the many questions prompted by a close viewing of this finale sequence—and indeed, the whole film—is the identity and meaning of the mystery woman seen with Jessica Chastain’s older and younger self in the “Amen” sequence. She shows up in part (usually just her hands) and in full on a number of occasions throughout the film--especially at the beginning of Jack’s life and in the film’s final fifteen minutes.
Here's Hoping
I want to challenge myself, and my fellow Christians struggling with cynicism, to take in that aroma and let it fill the homes in which the we live, the workplaces in which we work, and the endeavors we pursue. Let it cause us to be galvanized and inspired to act, to work, to not give up or despair, even when the world seems so foreign, distant, and hellbent on chaos.