"The heavens declare the glory of God, and the sky above proclaims his handiwork" (Psalm 19:1). The heavens declare. The stars speak. They bear witness to the glory of God. But what do they say? Our gaze is naturally drawn upward. We are curious about what's up there. Beyond us. Both discoverable and undiscoverable. Our frontier longing beckons us to the telescope. To search the vast heavens. To know what we can know, but maybe moreso to know what we cannot know.
What does it mean that when Jesus entered Jerusalem the week he was crucified, the crowd "took branches of palm trees" (John 12:13) to welcome him? What do we make of the moment when Jesus curses the fig tree? What does it mean that the Bible begins with a “Tree of Life" in Eden (Gen. 2:9) and ends with a "Tree of Life" at the end, a tree whose leaves "were for the healing of the nations" (Rev. 22:2, 14, 19)?
If you're lucky enough to live in one of the few places where Terrence Malick's Voyage of Time: The IMAX Experience is playing, do yourself a favor and go see it. Take your kids, your church small group, your fellow lovers of cinema and nature and awe-inspiring beauty. The 45-minute film (a 90-minute, non-IMAX version is set to release in 2017) is a perfect example of the sort of liturgical cinema Malick has mastered