Meditations on Late Summer

Meditations on Late Summer

The start of every summer is always so full of excitement—the promise of endless free time, lazy mornings, late nights, swimming in pools and oceans, climbing trees and mountains, reading books. Every year around late May, the summer looms so large. It seems so immense. Those endless days! Those boozy low-pressure thunderstorm nights! And so little that must be done!

Inglourious Basterds

There are very few directors in the world who can imbue a dollop of cream and a plate of apple strudel with the sort of pulsating, vivacious energy that Quentin Tarantino can. And there are very few directors who can make twenty minutes of table talk as utterly engrossing and tension building as Tarantino can.

District 9

District 9 is a smart, challenging film that also happens to be thoroughly entertaining from start to finish. It’s brimful of political and cultural ideas, but it’s also brimful of alien/robot/zombie action, explosions, battles, and video game shenanigans that I have a feeling will strike a massive chord with the gamers in the room. It’s a fresh perspective on an old genre, and a movie that blows the doors off most of the summer blockbusters we’ve seen so far this year.

Funny People

Funny People is a funny movie. But it’s also serious. It mixes genre in a way that sometimes works and sometimes doesn’t, and this will frustrate many viewers. It’s also a Judd Apatow film, which means there are about fifty too many penis jokes, lots of bromance comedy shenanigans, and touches of emotional depth and “growing up” insights. As part of the Apatow canon, it fits nicely in with The 40-Year-Old Virgin and Knocked Up, rounding out the trilogy (if you want to call it a trilogy) with an appropriate graduation to existential self-awareness.

(500) Days of Summer

(500) Days of Summer is a love story for my generation. Though it proudly declares at the outset that “this is not a love story,” the film is wholly about love. Or rather, it’s about our discombobulated, postmodern idea of love mixed with the rapturous ephemera of passion and romance. It’s about how difficult love is for a generation of youngsters who haven’t seen love first hand (their parents are usually divorced) and yet have been fed a steady stream of love abstractions as filtered through soap operas and The Sound of Music and Jesus and Mary Chain songs. This is a movie about “movie-style” love and “movie-style” life. It’s about the difficulties that arise when our ideas of love and life come entirely through artist renderings and Hollywood fakery.

Introducing the Poorgeoisie

When I was in New York City earlier this year, I took some pictures of a person lying on a couch on a sidewalk in the East Village. I wasn’t sure if he was a hipster or a homeless person. This question has come up numerous times in my hipster field research over the last couple years, and it’s definitely becoming harder to tell the difference. Apparently the homeless look is hotter than ever. Actually, I first noticed the trend a few years ago in L.A. and wrote a post on my blog entitled “Derelict Chic” back in 2007.

Sad Times for the Episcopal Church

I attended an Episcopal church one summer a few years ago. I’m not Episcopalian, but I enjoyed the church and the experience. I loved the liturgy and tradition of it—the sense of being part of an ancient, worldwide, structured body of believers. I loved the use of organ and the singing of 500 year-old hymns. I loved the creeds.

The Hurt Locker

The Hurt Locker, directed by Kathryn Bigelow (Point Break), is far and away the best film about our current war in Iraq. And it’s easily also one of the best films of the year. If you’re looking for nonstop action, white-knuckled suspense, and emotionally draining human drama this summer, I doubt you will find any film more satisfying than this.

Public Enemies

There is a lot that could be said about Public Enemies—a lot, for example, about the HD digital photography which is perhaps the most polarizing aspect of the film for many audiences. For a really insightful take on the visual style of the film, I recommend Manohla Dargis’ review for The New York Times (a review I happen to totally agree with).

Death And All His Friends

In what will no doubt be weeks of upcoming news coverage, tributes, memorials and TV specials chronicling the life and death of Michael Jackson, the point will likely be made that Michael Jackson died the same day as Farrah Fawcett and just two days after Ed McMahon. “We can’t forget Farrah and Ed,” people will say. But invariably, the immense, wall-to-wall coverage of Jackson will overshadow the other two, and history will forget that these three important twentieth century icons died in the same city in the same few days in June.

Interview With a Christian Hipster Icon: Shane Claiborne

Shane Claiborne is someone I’ve been following for quite some time—someone who I greatly admire and who I believe is an important, prophetic voice for the church today. If you've read his books or heard him speak, you know how provocative and compelling and fascinating he is. In my book on Christian hipster culture, Shane gets more than a few paragraphs mention.