I've always loved this time of year. Late summer. For whatever reason, it is just incredibly poetic. The end of "vacation" season, an acute sense of both loss and hope, the onset of such wonderful things as Football season and apple picking. It's a great moment of transition, and some far more perceptive writers than I have captured it beautifully in verse.
The start of every summer is always so full of excitement—the promise of endless free time, lazy mornings, late nights, swimming in pools and oceans, climbing trees and mountains, reading books. Every year around late May, the summer looms so large. It seems so immense. Those endless days! Those boozy low-pressure thunderstorm nights! And so little that must be done!
I spent the weekend in the Pacific Northwest (Vancouver, BC and Seattle), and I have to say that it was one of the loveliest autumnal weekends I've had in a long time. It was alternately rainy, misty, foggy, crisp, clear, and smoky. And the fall colors were enjoying their last vibrant bursts of showy seasonality. There were swirls and cyclones of deciduous death, good coffee and pubs and plays and Rilke poems. It was glorious. And Explosions In the Sky and Fleet Foxes, which is always good music for fall.
Synecdoche is about a lot of other things, too: fate, free will, fatherhood, love, theater, Artaud, cruelty, death, dreaming, and the housing crisis. It’s also about life—contemporary life—and the ridiculousness of our unfailing searches for macro significance at the expense of our micro happiness.