The New World

The New World

Throughout World, Malick's fourth film, trees are an essential image and metaphor. Early in the film, trees anchor the boats as the European colonists arrive. At the end, tree comprise the final shot. We look upward at a towering cathedral of trees, and then the film ends with the delicate drop of a leaf.

Days of Heaven

Days of Heaven

With its emphasis on the duality of nature and by association man, Days of Heaven envelops us in the lack and loss of Paradise. As reflected in its title, heaven is temporal in the film—an all too evanescent state of dwelling. The film thus exudes a palpable Edenic yearning—a longing to recapture our lost wholeness of being. In the meantime, we are stuck in a world where the glory and avenging power in nature are both intensely evident—a troubling paradox in which, Malick infers, ultimate reconciliation can be achieved only in death.

Badlands

Badlands

More than simply a morality tale couched in 1960s post-war nihilism, Badlands is a timeless tale of the human search for significance and the resultant battle between rebellion (pride/significance through freedom of the will) and redemption (humbly submitting to something bigger and recovering that union with creation and the Creator).

Take Care, Take Care, Take Care

Take Care, Take Care, Take Care

Ours is a world of ups and down. On any given day, or weekend, there is joy and heartbreak, fear and hope, sickness and death. What we can do is abide, faithfully, in hope, love & charity, working for renewal... and taking care of those around us, taking care of ourselves, taking care of the world.

Meek's Cutoff

Meek's Cutoff is the latest ponderous, gorgeously shot film from the minimalist indie director Kelly Reichardt, whose two previous films—2006's Old Joy and 2008's Wendy & Lucy—were striking examples of her delicately academic approach to cinema and interest in exploring journeying characters in moments of despair (existential, personal, psychological).

Easter Humility

I think it's important to have restraint. If there's one thing I've been learning—and want to keep learning—it is the importance of being slow to speak, but quick to listen. I want to be a better listener, a better perceiver, a better interpreter of the world and its beauties. To take in more than I churn out... and then to churn out only after a thoughtful period of processing and active listening... that's where I want to be. As a blogger, as a friend, as a follower of Christ.

Lights Out

I'm going to be writing more about the show this summer as it finishes its run on NBC, but for now I'll just say this: I'm so thankful for Friday Night Lights--for so many reasons. It was a rare show that took beauty, truth and goodness seriously, and which favored earnestness and simplicity in a medium that increasingly seems to prefer gimmicky, trite, cynical and overblown. I appreciated Lights because of how complicated it was, how hard it was to classify. I appreciated it because it featured the best portrait of a marriage I've ever seen on television.

Groupspend

The great hope of the networked, power-to-the-collective, wikipedia web world is that somehow the masses will be bound together in common causes more quickly and more efficiently than ever. Somehow we will all become more selfless and more willing to work together across dividing lines now that we're all so interconnected. But this great web we exist within has hardly made humanity more unified. On the contrary, it seems like we're more fragmented than ever--with more and more self-interested cliques and groups and niche blogs vying for the energies of smaller and smaller bands of people.

Social Network vs. King's Speech

Until recent weeks, David Fincher's The Social Network won pretty much every major award of the season. It was named best picture by the National Board of Review, the Critics Choice Awards, the Golden Globes, and pretty much every major film critics circle. Then, all of a sudden, The King's Speech came on strong at the guild awards, winning top honors at the Producer's Guild, Director's Guild, and Screen Actors Guild Awards. The momentum shifted, and now Tom Hooper's royal costume drama seems poised for a rout of The Social Network at the Oscars.Which is really unfortunate.

The Separation of Church and Status

As Christians, if we truly believe that each human is a precious being—that, as C.S. Lewis put it, “there is no mere mortal… Next to the Blessed Sacrament itself, your neighbor is the holiest object presented to your senses”—then shouldn’t we be seeking to truly know others rather than to simply “keep tabs on” them through short updates, photo albums, and wall posts?

And the Nominees Should Have Been...

The 2011 Oscar nominations were announced this morning, and as is typically the case, there are some hits and some misses. By and large I think the Academy got it pretty right, with a few good surprises (Jacki Weaver for Animal Kingdom) and some bad (no Andrew Garfield supporting actor nom?). If I were to have a say in the nominations, they would have gone something like this.

Portrayals of the Good

We live in a time when "authenticity" is equated with those things or those people who are forthright in their brokenness and messiness, while stable, happy people are sometimes looked upon with skepticism, as if their lack of apparent problems makes them phony or untrustworthy. Our jadedness leads us to a sort of self-reinforcing stasis of raw brokenness, because this is what we believe. This is what we know. But what we really need are models of goodness & virtue in our lives... figures of hope who can motivate us out of the cycle of dreary cynicism.