A few years ago I thought it would an interesting challenge to think of films that reflected the heart of the season of Advent. You can see that list of “10 Films for Advent” here. But what about Lent? What makes a film “Lenten”? As I thought about it, I first thought of images: films of desert, spartan landscapes; faces of lament and suffering; gray and drab color palettes. Then I thought of tone: somber, contemplative, quiet, yet with a glimmer of hope or a moment of catharsis. Finally I thought of themes: suffering, isolation, hunger, penance, hope. I came up with the list below (in alphabetical order).
To the Wonder is about a way of seeing—both seeing the world around us, and seeing ourselves properly, something he embodies not just on screen but in his working process. It's no coincidence that it begins with the point of view of Marina and Neil's own cell phone camera (as they travel by train "to the Wonder"). It's the focusing of our attention via lenses on life: perceiving the beauty in the pretty and the ugly, the thrilling and the mundane, and seeing how it all points heavenward. Christ in all; "All things shining" (The Thin Red Line).
Like Adam before us, and Noah, and Abraham and Israel, followers of Jesus are called to bring light to the darkness; to spread the illumination like in those candle light Christmas Eve services of our youth; or like that little blue candle and mysterious wispy flame in The Tree of Life. It's Ruach. The Spirit of God. Reminding us of hope, empowering us to carry on.
Throughout World, Malick's fourth film, trees are an essential image and metaphor. Early in the film, trees anchor the boats as the European colonists arrive. At the end, tree comprise the final shot. We look upward at a towering cathedral of trees, and then the film ends with the delicate drop of a leaf.
People who frequent this blog know very well that Terrence Malick’s The New World is high on my list of the happiest things on earth. It’s a film that I’ve probably watched 20 times over the past three years, each time relishing anew the truth, beauty, and catharsis it offers. Imagine my utter glee, then, when it was announced that a new director’s extended cut of the film was to be released this fall on DVD. I was beside myself.