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Movies Brett McCracken Movies Brett McCracken

Looper

Movies like Looper give me hope for American cinema. Rian Johnson's film is a tight, stylish, deftly scripted crowd pleaser, a clever film that engages the audience viscerally, cognitively and emotionally. Its also a film that takes a schoolboy's delight in the magic and thrill of cinema. Rian Johnson is film nerd, fanboy, and B-movie genre postmodern in the vein of Tarantino, with a smidge less irony and a bit more Raymond Chandler noir. His films (Brick, The Brothers Bloom) are characterized by anachronistic pop culture pastiche and the merging of multiple genre tropes.

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Seasons Brett McCracken Seasons Brett McCracken

To Everything a Season

I'm in a season of change right now myself, for a number of reasons. I'm finished writing my new book (1 year and 65,000 words later!); I'm enjoying the last few months of my 20s and what is likely my last season of life as a single man; I'm experiencing new friendships and walking with some old friends as they experience their own seasons of change.And I'm also going to be changing my blogging habits a bit.

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Guest Post Brett McCracken Guest Post Brett McCracken

Becoming an Intouchable

I believe God calls us to live out the holiness He's working within us through our following of Jesus. He never intended for us to have a private relationship with Him. No, He desires that relationship to be lived out in our daily lives, minute by minute.

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Movies Brett McCracken Movies Brett McCracken

Batman, Dickens, and Resurrection

The impulse toward resurrection is grand motif of human existence: it's the arc of all creation and everyone within it, groaning and aching for the dawn of better days, when all is put to rights and evil is subdued. The hope of resurrection is the thing Sydney Carton takes refuge in before his own death in A Tale of Two Cities, as he rests in the truth of John 11:25-26:"I am the resurrection and the life. He who believes in me will live, even though he dies; and whoever lives and believes in me will never die."

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Uncategorized Brett McCracken Uncategorized Brett McCracken

Best of the Blog's First Five Years

I started this blog on July 18, 2007, five years ago on Wednesday. It's been a great five years of blogging. 551 posts, thousands of comments, and countless hundreds of hours of writing later, and I'm happy to say I've loved every minute of it. By way of marking the occasion of the fifth anniversary of The Search, I thought I'd look back at some of my favorite and most popular posts. If you've been a longtime reader you'll maybe remember some of them. If you're a newer reader, here are some old favorites I commend to you.

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Movies Brett McCracken Movies Brett McCracken

Beasts of the Southern Wild

I loved the world of this film, and the photography and (sometimes) the music. The first ten minutes or so are really superb. And I'll be darned if Hushpuppy isn't the most adorably precocious, pint-sized heroine since Abigail Breslin in Little Miss Sunshine.But as the film goes on it feels more and more contrived, with emotional highs and lows that the film doesn't earn and audiences shouldn't be expected to be moved by. In the end, the film's utopian, dream-like celebration of Southern culture and a sort of "it takes a village" communitarianism rings somewhat false.

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Movies Brett McCracken Movies Brett McCracken

Best Films of the First Half

Another year half-way through, another pause to reflect on the best films of the first half. Last year by this time, The Tree of Life topped my list, followed by Meek's Cutoff. Below are my picks for the five best films I've seen in theaters in the first six months of 2012.

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Movies Brett McCracken Movies Brett McCracken

Prometheus

In Prometheus, Scott's vision of the relationship between Creator and created is one of spite and hostility. In the Christian narrative, God is a benevolent creator who takes on the form of his creation so he can rescue and redeem those he created in his image. In Prometheus, the "gods" also seem to have created man in their image, and yet they despise humanity and want to destroy it. Incarnation for the purposes of redemption is re-imagined as infection for the purposes of eradication.

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Technology Brett McCracken Technology Brett McCracken

24 Social Media Dos and Don'ts

As part of the Biola Digital Ministry Conference, I gave a seminar entitled "Becoming Social Media Savvy Without Losing Your Soul," in which I discussed the etiquette of social media and some of the potentials and pitfalls in how we can use it as Christians. What does it mean to represent Christ in the social media space? To get at this question, my presentation included 12 "dos" of social media and 12 "don't." Here they are below, starting with the "don'ts."

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Movies, Seasons, Poetry Brett McCracken Movies, Seasons, Poetry Brett McCracken

Memorial Play

Part of the sadness and elegiac quality of something like commencement is that we remember what it was like to be young and free, "Golden in the mercy of his means," with the world as our oyster. We lament that we've lost the sense of adventure, bravery, and risk that electrified those long lost days. And yet the truth is we need not abandon such things. We should be lifelong learners, career explorers, always re-imagining the world and discovering its wonders anew.

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Movies, Terrence Malick, Theology Brett McCracken Movies, Terrence Malick, Theology Brett McCracken

The Divine Guide in Terrence Malick’s "Tree of Life"

Among the many questions prompted by a close viewing of this finale sequence—and indeed, the whole film—is the identity and meaning of the mystery woman seen with Jessica Chastain’s older and younger self in the “Amen” sequence. She shows up in part (usually just her hands) and in full on a number of occasions throughout the film--especially at the beginning of Jack’s life and in the film’s final fifteen minutes.

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Politics Brett McCracken Politics Brett McCracken

Why Partisanship is the New Normal

The ferociously partisan atmosphere in America these days isn't limited to Washington D.C., though it certainly is epitomized there. No, the divisive, bitter ambience in this country exists everywhere, from sea to shining sea. A few minutes on cable news or a cursory scroll through one's social media feed at any given moment confirms it. And it's getting worse.

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Places, Technology Brett McCracken Places, Technology Brett McCracken

Riots in Real Time

In my younger days, L.A. was Bayside High, California Dreams, Encino Man, "Valley Girls," Beverly Hills 90210, Disneyland, Hollywood, the Oscars. Or it was a place of constant calamity: the Northridge earthquake, mudslides, fires, various  car chases chronicled by the vulture news helicopters L.A. helped normalize. The point is: my understanding of L.A. was (and still is, to some extent) formed by media portrayals, mass-communicated narratives of "reality" packaged chiefly as entertainment. This is how we understand the world.

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Movies, Theology and Art Brett McCracken Movies, Theology and Art Brett McCracken

33 Films That Take Faith Seriously

Christian moviegoers sometimes lament the dearth of good, positive, realistic portrayals of faith in film. If Christians are portrayed in film, it’s usually as right-wing zealots (Citizen Ruth), scary pentecostals (Jesus Camp), or psychotic killers (Night of the Hunter). Or faith is reduced to schmaltzy simplicity, as in most “Christian films” (Facing the Giants, Fire Proof). But many films throughout cinema history have actually provided rich, artful portraits of faith. The following is a list of 33 films that take faith seriously; films I believe every Christian should make a point to see.

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Movies, Theology and Art Brett McCracken Movies, Theology and Art Brett McCracken

Moving Beyond "Christian Films"

I long for the day when we will have moved on from  “Christian film" as a category. I long for the day when evangelicals will make excellent films that are beautiful, lasting, complex and true. I long for the day when Christian moviegoers will appreciate truly great films and encounter God through them, regardless of if they are made by Christians or pagans.

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Movies, Theology Brett McCracken Movies, Theology Brett McCracken

The Horror of Grace

This, I think, is the greatest, most mind-blowing quality of God's grace, while at the same time being the hardest for humanity to swallow: His grace is sufficient for all, and it saves unconditionally, based not on our merits or relative levels of moral stature. We're all sinners, fallen short of the glory of God and alienated from him, and thus we all need exactly the same grace from Him to repair the breach.

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