Movies like Looper give me hope for American cinema. Rian Johnson's film is a tight, stylish, deftly scripted crowd pleaser, a clever film that engages the audience viscerally, cognitively and emotionally. Its also a film that takes a schoolboy's delight in the magic and thrill of cinema. Rian Johnson is film nerd, fanboy, and B-movie genre postmodern in the vein of Tarantino, with a smidge less irony and a bit more Raymond Chandler noir. His films (Brick, The Brothers Bloom) are characterized by anachronistic pop culture pastiche and the merging of multiple genre tropes.